Indus valley Civilization
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Indus valley Civilization |
From the beginning of the 4th millennium BC the individuality of the early village cultures began to be replaced by a more homogenous style of existence. By the middle of the 3rd millennium, a uniform culture had developed at settlements spread across nearly b500,000 square miles, including parts of Punjab, Uttar Pradesh, Gujarat, Baluchistan, Sindh and the Makran coast. It was a highly developed civilization and derived its name from the main river of that region – Indus. The cities were far more advanced than their counterparts in pre historic Egypt, Mesopotamia or anywhere else in Western Asia.
Important Discoveries
Year Site Discovered by1921 Harappa Dayaram Sahni
1922 Mohenjodaro R.D. Banerjee
1927 Sutkagendor R.L Staine
1931 Chanhudaro N.G.Majumdar
1953 Rangpur M. Vats
1953 Kalibangan A. Ghosh
1955-56 Ropar Y.D. Sharma
1957 Lothal S.R. Rao
1972-75 Surkotada I. Joshi
1973-74 Banwali R. S. Bisht
After the partition of India most of the well known Harappa sites – Mohenjodaro, Harappa, went to Pakistan, leaving only two outposts, Kotla Nihang Khan near Ropar on the Sutlej in Punjab, and Rangpur on the Bhadar in Kathiawar Gujarat, within the territory of India. However, the excavations prior to 1947 had not achieved a satisfactory picture of the development of the cities, and in the absence of radiocarbon dating no absolute chronology was obtained. It was only after partition that planned surveys were undertaken in India to locate more sites. A. Ghosh undertook the exploration of the valleys of the dried up Saraswati (Ghaggar) and its tributary, the Drishadvati (Chautang) in Ganganagar, North Rajasthan and discovered about 25 Harappan sites. A number of sites have been reported indicating contacts with the Harappan culture in Afghanistan and the contiguous regions of Soviet Central Asia. Nausharo was excavated by Jarrige in 1993 and reached at some important conclusions regarding transition from early period to mature phase. Thus many of the earlier views have been altered because of recent studies based on sophisticated research tools and methods of investigation.
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Harappan-seal |
Extent
The explorations, excavations and researches have shown that the Harappan civilization was not confined to the Indus valley along as postulated by Marshall. Although the Central zone of these civilization lie in Sind and Punjab, mainly in the Indus valley, it spread southward and eastward from here covering Punjab, Haryana, Sind, Baluchistan, Gujarat, Rajasthan, Western Uttar Pradesh and Northern Maharashtra. In Precise terms the civilization extended from Suktagendor, on the seaboard of South Baluchistan (Makran Coast) in west to Alamgirpur, in the upper Ganga-Yamuna Doab in western U.P., in the east, and from Manda in Jammu in North to Bhagatrav in Narmada estuary (Kim estuary, Gujarat) in the south. The entire area of the Harappan civilization is triangular in form and accounts for about 1,299,600 sq km and as such was the largest amongst the ancient civilizations. The actual distance from northern site to the southern is over 1,100 km and form west to east over 15,50 km.Nomenclature
The Indus civilization belongs to the protohistoric period since it represents a phase in which people had developed a scrip has not been deciphered as yet despite repeated attempts. So it in agreed that the Indus civilization belonged to Bronze Age, generally associated with city formation.
Origin and Evolution:
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Harappa |
The
discovery of India’s first and earliest civilisation posed a historical puzzle
as it seemed to have suddenly appeared on the stage of history, full grown and
fully equipped. The Harappan civilisation till recently showed no definite
signs of birth and growth. The puzzle could largely be solved after the
extensive excavation work conducted at Mehrgarh near the Bolan Pass between
1973 and 1980 by two French archaeologists Richard H. Meadow and Jean Francoise
Jarrige.
According
to them, Mehrgarh gives us an archaeological record with a sequence of
occupations. Archaeological research over the past decades has established a
continuous sequence of strata, showing the gradual development to the high
standard of the full-fledged Indus civilisation.
These
strata have been named pre-Harappan, early Harappan, mature Harappan and late
Harappan phases or stages. By reviewing the main elements of the rural
cultures of the Indian sub-continent the origin of the Indus civilisation can
be traced. Any Pre-Harappan culture claiming ancestry to the Indus civilisation
must satisfy two conditions. The first condition is that it must not only
precede but also overlap the Indus culture.
The second
is that the essential elements of the Indus culture must have been anticipated
by the Proto-Harappan (Indus) culture in its material aspects, viz, the
rudiments of town planning, provision of minimum sanitary facilities, knowledge
of pictographic writing, the introduction of trade mechanisms, the knowledge of
metallurgy and the prevalence of ceramic traditions.
The
different stages of the indigenous evolution of the Indus can be documented by
an analysis of four sites which reflect the sequence of the four important
stages or phases in the pre-history and proto-history of the Indus valley
region.
The sequence
begins with the transition of nomadic herdsmen to settled agricultural
communities as per the evidence found at the first site i.e. Mehrgarh near the
Bolan Pass. It continues with the growth of large villages and the rise of
towns in the second stage exemplified at Amri. The Amri people did not possess
any knowledge of town-planning or of writing. The third stage in the sequence
leads to the emergence of the great cities as in Kalibangan and finally ends
with their decline, which is the fourth stage and exemplified by Lothal. Amri,
Kot-Dijian and Kalibangan cultures are stratigraphically found to be
pre-Harappan.
The
pre-Harappan culture of Kalibangan in Rajasthan is termed as Sothi culture by
Amalananda Ghosh, its excavator. The Harappan were owed certain elements such
as the fish scale and pipal leaf to the Sothi ware.
The four
Baluchi cultures, viz, Zhob, Quetta, Nal and Kulli, undoubtedly pre-Harappan,
also have some minor common features with the Indus civilisation, and cannot be
considered as full-fledged proto-Harappan cultures.
The
culture of Northern Baluchistan is termed as ‘Zhob’ culture after the sites in
the Zhob valley, the chief among them being Rana Ghundai. This culture is
characterised by black and red ware and terracotta female figurines. Nal
culture is characterised by the use of white-clipped ware with attractive
polychrome paintings and the observance of fractional burial.
The
characteristic pottery of the Quetta culture is the buff-ware, painted in black
pigment and decorated with geometrical designs. Apart from the painted motifs
such as the pipal leaf and sacred brazier, some pottery shapes are common to
the Harappan and Kulli cultures. All these pre-Harappan habitations preceding
the phase of the Harappan civilization shows evidences of people living in
houses of stone and mud-brick.
Similarities
were found in the cultural traditions of the diverse agricultural communities
living in the Indus region in the ‘early Indus period’. During the urban phase
these little traditions were fused into one great tradition.
However,
even in the ‘early Indus period’, use of similar kinds of pottery terracotta
mother goddess, representation of the horned deity in many sites show the way
to the emergence of a homogenous tradition in the entire area.
The people
of Baluchistan had already established trading relations with the towns of the
Persian Gulf and Central Asia. Kulli, situated on the southern foothills of the
Baluchi mountains near the Makran coast, occupies an important position on the
trade route between the Persian Gulf and the Indus Valley.
Thus, the
available evidence suggests that the Harappan culture had its origin in the
Indus valley. And even within the Indus valley, several cultures seem to have
contributed to evolve the urban civilisation. There is no evidence to suggest
that the Indus people borrowed anything substantial from the Sumerians. It is
thus difficult to accept Sir Mortimer Wheeler’s assumption that “the idea of
civilization came to the Indus valley from Mesopotamia”.
Sources of Materials
Materials SourceGold Afghanistan, Persia Karnataka
Silver Afghanistan, Iran
Copper Baluchistan & Khetri (Rajasthan)
Tin Afghanistan, Central Asia
Agates Western India
Chalcedony Saurashtra
Lead Rajasthan South India, Afghanistan
Lapis – Lazuli Badakashan (N. Afghanistan)
Turquoise Central Asia, Iran
Amethyst Maharashtra
Jade Central Asia
Carnelian Saurashtra
Script and
Language

pictograph
Harappan script
is regarded as Pictographic since its signs represent birds, fish and a variety
of human forms. The script was boustrophedon. Written from right to left in one
line and then from left to right in the next line. The number of signs of the
Harappan script is known to be between 400 and 600. The language of the
Harappans is still unknown and must remain so until the Harappan script is
deciphered. ![]() |
pictograph |
Pottery
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pottery |
Harappan people used different types of pottery such as glaze, polychrome, incised, perforated and knobbed. The glazed Harappan pottery is the earliest example of its kind in the ancient world. On the whole, Harappan pottery was highly utilitarian and character, though the painted remarkable artistic touch.
Seals
They are the greatest artistic creations of the Indus people. Most commonly made of steatite (soft stone).
Ø The
technique of cutting and polishing these seals with white luster was a unique
invention of the Harappans.
Ø The
majority of the seals have an animal engraved on them with a short inscription.
Unicorn is the animal most frequently represented on the seals.
Burial Practices
Three forms of burials are found at Mohenjodaro, viz. complete burials. Tractional Burials (burial of some bones after the exposure of the body to wild beasts birds) and Post – cremation burials. But the general practice was extended inhumation, the body lying on us bak, with the head generally to the north.Religion
The chief male deity was the Pashupati Mahadeva (Proto-Siva), represented in seals as sitting in a yogic posture on a low throne and having three faces and two horns. He is surrounded by four animals (elephant, tiger, rhino and buffalo), each facing a different direction, and two deer appear at his feet. The chief female deity was the Mother Goddess, who has been depicted in various forms. There is sufficient evidence for the prevalence of Phallic Worship. Numerous stone symbols of female sex organs (yoni worship), besides those of the phallus, have been discovered.The worship of fire is proved by the discovery of fire altars at Lothal, Kalibangan and Harappa.
Indus people also worshipped Gods in the form of trees (papal, etc)and animals (unicorn etc), Further they believed in ghosts and evil forces and used amulets as protection against them
Decline
After 2000 BC, the Indus cultures slowly declined and gradually fade out. Some ascribe this to the decreasing fertility of the soil till account of the increasing salinity, caused by the expansion of the neighboring desert. Other attribute it to some kind of depression in the land, which caused Hoods. Still other point out that the Aryans destroyed it. According to some scholars, decline to trade, particularly oceanic trade with the Sumerians, must have contributed partly in the decline. Even though there are various theories for the downfall of this civilization, the most accepted version is that of ecological destruction.Major Sites
Harappa The great GranaryMohenjodaro The Great Bath
Kalibangan Ploughed, Fire alter
Chanhudrao Ink pot, Shell- ornament
Banwali Clay Bangles, Statue of mother Goddess
Surkotada Fortified town, remains of Horse.
KotDiji Wheel, Streets, Toys
Ropar Rectangular mud brick
Dholavira Hemmed in the Citadel
Lothal Dockyard, rice husk.